Sanjai Mishra as Pinto (Yadav's goon 1).
Esha Deol as Jiya (Laxmi Narayan 1's love interest).They are also on the run from Inspector Mayawati Chautala ( Neetu Chandra), who also has a crush on Laxmi Narayan 2. Their respective lives are hilariously turned upside down when their names cause all three to end up in the wrong places. The trio all arrive and book rooms next to each other in Blue Diamond Hotel. Laxmi Narayan 3 ( Paresh Rawal) sells undergarments and runs a business, 'Bulbul Lingerie,' with his son, Sonu he travels to Pondi to meet with his new supplier, Jiya ( Esha Deol). Pipat, wants him to buy a vintage car from a Pondi-based used car dealer, Laila ( Sameera Reddy). Laxmi Narayan 2 ( Sunil Shetty), the detailed and obedient Secretary of D.M. To fulfill his mother's wish, Laxminarayan 1 accepts a contract to kill D'Mello Yadav ( Mukesh Tiwari), a Pondi-based gangster, who has stolen a diamond. None of them impress with their acting except for Neetu Chandra who comes in as a surprise package as a cop with not much scope in the film.Laxmi Narayan 1 ( Tushar Kapoor) lives a poor man's lifestyle in Mumbai with his widowed mother Kanta, who wants him to be a successful gangster and would like him to kill a few people, make enough money, then marry Chota Khujli's daughter, Meena Khujli. The ladies in the film are purely added for the glamour quotient. They bring life to their character and also in case of Mukesh, he comes as a revelation in comedy. Manoj Pahwa and Mukesh Tiwari followed by Sanjay Mishra are the best lot in the film. Tusshar Kapoor fails to impress either with his jokes or few elements of bhaigiri. He barely makes you laugh and the so called funny erotic number between Paresh and Sameera could have been avoided. Paresh Rawal offers nothing new he just seems to be repeating his character over and over again. He tries his Bhola act once again and this time it fails majorly because of a weak script. On the acting front, Suniel shetty initially impresses but eventually annoys with the `aapka left ya mera left sir?' dialogue. The scene where Paresh Rawal argues with two women over their bra size and the remark that her husband always asks him her size before buying one is gross. Some scenes evoke a gross feeling rather than being funny. Most dialogues in the film are plain one liners, most of them not worth remembering. Just observe the expressions on Esha's face when she explains her concept of an exciting love story with a bhai. Take for example Tanishaa and Upen Patel.Īlso the manner in which Esha falls in love with Tusshar on realizing that he is a don is just so stupid. The script is loose and some characters are just so irrelevant to the script. Some jokes are good but majority of it is just plain boring and more annoying.
#One two three hindi movies series#
A series of events follow which get different personalities intertwined as mistaken identities take over.ĭirector Ashwani Dhir fails miserably at holding the viewers attention and making one laugh. The first Laxmi Narayan gets lingerie designer Jiya's photo,the second Laxmi Narayan gets Papa's photo and the third Laxmi Narayan gets Laila's photo. They get letters and photographs meant for the other.
The three Laxmi Narayans are at the same place, at the same time. His son sends him to Hotel Blue Diamond to collect lingerie samples from upcoming designer Jiya. The third Laxmi Narayan is a hawker who has made so much money selling under-garments on the footpath that he has set up a lingerie factory now. He comes to Hotel Blue Diamond to knock off Papa which is his last chance to prove himself as Bhai.Įnter the second Laxmi Narayan who is also sent to Hotel Blue Diamond to collect a new car for his boss from Laila. Papa and his henchmen are desperately hunting for the diamonds, while police officer Mayavati Chautala is on the lookout for any offenders.Įnter the first Laxmi Narayan who is from a mafia family and his mother prays and awaits his first successful murder. To begin with, the d iamonds belonging to a Don accidentally fall in the hands of Chandu and Chandni, who hide them in a car. But we wonder whether television and cinema have the same pattern when it comes to humour? The film brings in the ace at television comedy -Ashwin Dhir who has been the maverick behind the success of the tele-serial `Office Office'. The film attempts to bring in immense comedy on the basis of mistaken identities. 123 comes your way as one of the so called multi-starrers of this year (at least that's how it was promoted).